Note: the month of Assu typically takes place mid-September through mid-October on the Gregorian Calendar.
Words from the Guru
In the month of Assu, my love for the Lord overwhelms me. How can I go and meet the Lord?
My mind and body are so thirsty for the Blessed Vision of His Darshan. Won’t someone please come and lead me to him, O my mother.
The Saints are the helpers of the Lord’s lovers; I fall and touch their feet.
Without God, how can I find peace? There is nowhere else to go.
Those who have tasted the sublime essence of His Love, remain satisfied and fulfilled.
They renounce their selfishness and conceit, and they pray, ‘God, please attach me to the hem of Your robe.’
Those whom the Husband Lord has united with Himself, shall not be separated from Him again.
Without God, there is no other at all. Nanak has entered the Sanctuary of the Lord.
In Assu, the Lord, the Sovereign King, has granted His Mercy, and they dwell in peace. || 8 ||
In Assu, come, my Beloved; the soul-bride is grieving to death.
She can only meet Him, when God leads her to meet Him; she is ruined by the love of duality.
If she is plundered by falsehood, then her Beloved forsakes her. Then, the white flowers of old age blossom in my hair.
Summer is now behind us, and the winter season is ahead. Gazing upon this play, my shaky mind wavers.
In all ten directions, the branches are green and alive. That which ripens slowly, is sweet.
O Nanak, in Assu, please meet me, my Beloved. The True Guru has become my Advocate and Friend. || 11 ||
Listen to the Month of Assu in English by Don Cooper (Bara Maha Musical English Translation)
About the Bara Maha
“The twelve months, the seasons, the weeks, the days, the hours, the minutes and the seconds are all sublime, when the True Lord comes and meets her with natural ease.
God, my Beloved, has met me, and my affairs are all resolved. The Creator Lord knows all ways and means.”
Bara Maha is a form of folk poetry in which the emotions and yearnings of the human heart are expressed in terms of the changing moods of nature over the twelve months of the year. In this form of poetry, the mood of nature in each particular month (of the Indian calendar) depicts the inner agony of the human heart which in most cases is described as a woman separated from her spouse or lover. In other words, the separated woman finds her own agony reflected in the different faces of nature.
The tradition of Bara Maha poetry is traceable to classical epochs. In Sanskrit, the Bara Maha had the form of “shad ritu varnan,” i.e. description of the six seasons (shad = six; ritu = season; varnan = description), the most well known example being Kalidasa’s Ritu Sanhar.
The mode was commonly employed to depict the moods of the love stricken woman in separation, and it became an established vogue in medieval Indian poetry. Modern languages of northern India claim several distinguished models.
Guru Nanak Dev Ji’s Barah Maha in the measure Tukhari is not only the oldest composition belonging to this genre but also the first in which the theme of love poetry has been transformed into that of spiritual import. He made the human soul the protagonist which suffers in the cesspool of transmigration as a result of its separation from the Supreme Soul. This is followed by Guru Arjan Dev Ji’s Barah Maha.
Guru Nanak’s Bara Maha or “twelve months” composition in Raga Tukhari in the Siri Guru Granth Sahib (pages 1107 to 1110,) stands out in Sikh literature for its poetic splendor and philosophical import . . . Herein, time and space universal as well as particular have been richly fused in the person of a young bride ardently searching for her Divine Bridegroom through the cameos of the changing reality of the twelve months.
It is Guru Arjan’s calendar poem in the measure Majh included in the Siri Guru Granth Sahib (pages 133 to 136). The bani was composed at the behest of Sikh Sangat when they approached Guru Arjan and requested that Guru Nanak Sahib’s composition mentioned below in Tukhri raag is very difficult for them to understand. The opening verse of the composition presents the binary theme of the poem: the factual situation of the human soul’s separation from the Divine Soul and its quest for union with Him.
Later some Sufi poets such as Ali Haider, Bulleh Shah, Hasham, and Shah Murad also wrote bara mahas.
Listen to the Bara Maha
Bara Maha – Professor Satnam Singh Sethi: